Software for Radio

We already past 'R' in our A to Z software tour, but as a honorable mention after recording, here are a number of professional radio programs designed for specific tasks to help the small or start up radio station or podcaster. So if you are interested in creating or hosting your own audio content be sure to check out these radio applications to help you along the way:

BroadWave is an audio streaming software program designed to broadcast any audio connected to the sound input on the PC. It will also stream audio recordings and all BroadWave streams will play directly from the default web browser on any modern Windows or Mac computer.

VRS is a professional voice recording application that can be used radio station logging, recording multiple audio channels simultaneously with digital signal processing, automatic level control and a continuous recording mode to easily save a copy of all your broadcasts.

From recording to editing and mixing your audio, interviews, music and voiceovers you won't want to be without our favorite duo, WavePad audio editor and MixPad multitrack mixer both are available for your Windows PC or Mac, and for recording and editing on the go you can also download Pocket WavePad on your iPhone or iPad, perfect for those coffee shop interviews and more.

Want to share a snippit of audio from something else online with your listeners? Save streaming audio as an mp3 or wav file on you computer with the use of SoundTap streaming audio recorder to rip the audio you hear playing on your computer. And you can always visit our full arsenal of radio software for additional radio tools and applications.

WavePad at the Radio Studio

Guest post by Daan Berg

There are many local radio stations in the Netherlands, 285 to be exact. I am a volunteer at one of these stations, where I produce and present a live weekly breakfast-with-news show every Saturday morning.

However, sometimes I need to cheat, when I need to be somewhere else during broadcast hours. Therefore, whenever I can't make a live show, I pre-record it and upload the three hours of material to the control room server, which plays the recordings during my broadcast hours as if I were there, talking live and playing music to my listeners.

I do my recording in a small studio booth in the cozy building of the combined radio and television station, in which all the professional equipment -- from audio mixers and microphones to professional recorders -- are installed. I can plug my laptop into an outlet of the mixer and start recording, which usually works fine. But recently, things went wrong.

I had just finished recording three hours of great radio with lots of enthusiasm, which one always needs when hosting any kind of show. I opened up WavePad which I always use for audio editing, to cut off the silences at the beginning and end of the files and listen if everything sounded OK. It didn't. What happened?

It turned out the internal sound processor of the audio mixer, the boards full of sliders and knobs you always see in front of radio producers, had its limiter set to a way too aggressive setting. Limiting is the act of bringing the volume of a device down quickly when it's too loud. For instance, you will notice that if you bring a microphone close to your mouth and shout into it, you will hear that your speakers can't cope. However, radio hosts shout into microphones from time to time. On the radio, it is very rare to hear this, as the limiter in the control room will automatically pull the volume of the microphone down to make sure no gear is damaged and to make the sound more enjoyable.

However, a limiter can also be set too aggressive. Instead of only pulling down peaks that go above a certain maximum level, a limiter can also see every peak as a peak that's too loud. The result: a recording with terribly annoying volume changes every tenth of a second, like someone is heavily abusing the volume knob on a radio.

So I was stuck with three hours of material that I couldn't use. Until I remembered that WavePad has an Automatic Gain Control function, which analyses the volume of the audio file and makes adjustments where needed.

It most certainly worked! Of course, the result wasn't perfect yet -- software can never 100% undo what was done with analog equipment -- but when the edited files were played back through the central server, it sounded fine. This had to do with the fact that the control room also sports a compressor, which is a machine that does the opposite of a limiter; it increases the volume when it's too soft.

Thanks to WavePad Audio Editor, I didn't have to start recording all over again. If I had done it all over with my enthusiasm completely gone it would've sounded terrible.


Daan Berg is a local journalist in the Netherlands. He writes for a national newspaper and hosts a weekly breakfast radio show on local radio. He also makes all kinds of media productions, from radio & television items and shows to websites.

Want a Unique Gift Idea? Make Them a Radio Star

Guest Post by Emma Bell

One of the coolest things about modern technology is that anyone who has a story to tell has a pretty decent shot of getting it on the radio or their very own podcast. Unlike the days where a radio professional would be required to be in the studio reporting, now anyone can record an interview or story with any number of small and affordable recording devices; and the best part is that many stations are constantly looking for material. Like with any creative medium, the quality of content does matter – as does covering a topic that is timely, or timeless (also known as evergreen).

Some radio buffs go all out and purchase gear like digital flash recorders and professional microphones but many others simply use their phones to record, or their phone answering machines, laptops, etc. In terms of production you can get as detailed or simplistic as you choose because the truth of the matter is that if your story is compelling enough or something that no one else is covering many radio stations will be willing to work with it, no matter what the quality.

If you've got something of value to say you can simply record it and let the seasoned pros edit the piece, or you can try your hand at editing. There are many affordable audio software programs available that will take a bit of trial and error to learn but even Youtube offers video tutorials for many different programs on the market.

There are also many organizations who are encouraging budding radiomakers and documentarians of all ages by offering recording tips and advice, as well as platforms in which to present their features. Vocalo, based out of Chicago, is an interesting public radio platform that allows everyday people to have their own shows. Transom is a non-profit website that offers tips on the best gear to get and tips on telling stories and the Public Radio Exchange is a depot where you place your work and have radio stations come looking for you instead of the other way around. And with the rising popularity of do-it-yourself podcasts you can make your own radio show and build a following of fans without any need for a radio station to sign you on.

Thanks to technology it's a new day in radio making; an exciting time that rewards the everyday people who have interesting stories to tell. It's hardly the best way to try and get rich but it's a wonderful chance to say whatever's on your mind to an ever-growing audience. As a radiomaker you can help inform, entertain, get people to thinking and even help shape opinions. The best part is that with today's technology you can run your own show and get your own brand of uniqueness out there for all the world to hear.

Author Emma Bell writes for Coupon Croc. If you're looking for a new phone that records audio check out this Discount Voucher.

Do More with Audio - Blog Carnival August 2, 2011

Here are this edition's entries to Do More with Audio:


Stephanie presents Outsourcing Audio Editing posted at Vox Daily discussing the decsion to outsource audio editing or keeping it internal.

Jason Briggs presents Delving Into Different Audio File Formats posted at Free Ultimate Hobbies.

Dave Taylor presents Convert WMA audio files to MP3 on my Windows PC? posted at Windows Daily News.

David Spark presents "How to be a podcaster" podcasting resources posted at Spark Minute.

Dan Friedman presents 10 Tips For Getting the Most From Your Voice Over Session posted at The ProComm Voiceover weblog.

Abraham Hyatt presents Audio Editing and Recording for Journalists posted at Digital Journalism Protland.

JC presents EVP - Electronic Voice Phenomena posted at Patently Paranormal.

Suzanne Bird-Harris presents My Favorite Audio Editing Tool posted at Suzanne Bird-Harris.


You might also be interested in:

• Record Your Own Audio Book
  
• WavePad Analyzes Electronic Voice Phenomena
  
• WavePad Makes Doing Radio Fun Again
  
• Express Scribe Now Supports DS2 Audio Dictation Files
  
• From Vinyl to MP3 and iTunes
  

That concludes this edition of Do More with Audio. Be sure to Submit your audio articles for the next edition.

WavePad Makes Doing Radio Fun Again

Guest post by Paulette MacQuarrie of Nash Holos Ukrainian Roots Radio

Back in 2002 I was introduced to audio editing software, when the AM station broadcasting my weekly radio show finally went digital and got rid of its reel-to-reel tapes.

It was the end of a romantic era, and I was not enamoured of the change. (Can anyone say "buggy whip"?) But I eventually realized it had ushered in an exciting new era of its own.

The things I could do now! No more razor blades, guesswork, or scrubbing tapes. No more recording shows onto cassette � they could now be archived on a microchip! And on a website for listeners who missed the radio broadcast. (This was before the term "podcast" was invented.)
Best of all, I could record in my own home studio. No more traffic!

I was well aware that as time marched along, my software was becoming dated. Still, it was comfortably familiar. I had become reasonably competent with it, and I hated learning new software on my own. It was hard enough with help!

When the time came to upgrade my computer, however, upgrading my audio software was no longer optional. I discovered to my horror that it was not compatible with Windows7.

One day while in an office supply store in Bellingham, WA I found myself in their software section. A nice-looking box labelled Audio Essentials by NCH Software caught my eye.

The description sounded good and the price was way less than an upgrade for my existing program. And, I recognized the name WavePad as one that a colleague has for years been ranting and raving about, and bugging me to try. So I bought it and once it was installed, it was pretty much love at first sight.

I don�t usually go crazy over software but WavePad cut my production time in half just on my first try. So what�s not to go crazy about?

Working with my old program involved selecting and arranging regions, then doing a mix-down to a Wave file. This resulted in a studio mix that, after all my finicky editing, was considerably more slick than what I had produced on reel-to-reel. And gradually I forgot how much I enjoyed the "performance high" from recording "live to tape" in my pre-digital days.

WavePad has rekindled that excitement while providing more efficient tools for the studio work.

Probably the most useful is "Insert file" (under Edit menu). I can add ready-to-air files (commercials, interviews, etc.), rip tracks off CDs in seconds and copy them in, as well as record my intros and extros right into the file. No mixing down and converting � just save file as an mp3 and I�m done.

Now the fun is back again!

I love the click-saving icons for basics like adjusting volume (Amplify), fading and cross-fading, mixing and pasting files, noise reduction, etc. I especially love how you can zoom in and out with the scroll of a mouse wheel!

WavePad has handy time markers along the bottom of the page and an indicator showing the length of the entire file and selections. That keeps me on track so I have less editing and adjusting to do later.

I still like to work in WAV because it�s uncompressed. The Batch Converter allows me to convert the show and several components to mp3s in a flash, to post on my program website. Skookum!

WavePad has to be one of the most user-friendly programs I�ve ever encountered. The interface is uber-easy and user-friendly. The brief video tutorials are helpful, and the manual is excellent. The support staff are prompt, friendly and helpful. Definitely real people!

Now I�m starting to experiment with MixPad and am finding it a similarly pleasant experience. It�s almost a surprise how fast and easy it is! I�m looking forward to using the other NCH products that came in the package.

My only regret is waiting so long to make the switch!

Author bio: Paulette MacQuarrie lives on Vancouver Island, Canada where she produces and hosts a syndicated one-hour weekly variety show called Nash Holos Ukrainian Roots Radio in (mostly) English. More details at the show�s website www.nashholos.com and blog nashholos.blogspot.com

Use What Works: Why a Podcaster Uses Switch Audio Converter Every Day

Guest post by podcaster Kole Ross www.koleross.com

We take it for granted that our tools do what we ask them to. If they didn't, we probably wouldn't use them anymore. What makes a piece of software great, however, is how easy it is to tell it what to do. For me, Switch Audio Converter is one of those great programs, and I rely on it daily.

I'm an underemployed podcaster, a part the digital serf caste. You see us around, the overweight or underweight bearded dudes with laptops, blogs, and opinions about why Facebook sucks.

I graduated from an Electronic Media program where I was surrounded by these digital serfs, and learned how to use lots of different pieces of media software. Final Cut Pro, Adobe Creative Suite, Pro Tools, the list goes on. If you have more than a passing acquaintance with these software suites, you probably have an opinion about which one works best.

I get them, I understand how to use them, and I know how powerful they can be. When I was starting out, though, I could never shake the feeling that they were "too much." If you're cutting a steak, you don't whip out a Swiss army knife. You use a steak knife, like a normal person.

I started podcasting in 2007, wanting to turn my internet radio show into a packaged, persistent product. This first podcast eventually turned into Stand Under the Don't Tree and Riddle Me This, a video game talk show with a bewildering name. Three years later, I started a second podcast, Those Damn Ross Kids, a NSFW comedy podcast that I do with my brother, Kris.

When you're a poor student (or even a poor graduate�feed me please) it's difficult to afford fancy software to fuel your hobbies. So, you use what works. To this day, I edit my shows in Garageband because it's free and simple. A friend of mine once criticized me for using "kiddie gloves," but my response remains: "It doesn't get in the way when I sit down to make things." I like a program that does one thing well. Every button and lever I don't use is just wasting my time.

The same goes for Switch, which simply does what I ask it to without putting up a fuss.

The end product of a podcast is always an MP3 file, but it goes through lots of different phases in its life cycle. The shows are recorded over Skype as high-sample rate stereo AIFF files. My voice is always on the right channel, while the incoming audio from Skype is on the left channel. I drop this file into Garageband to separate the tracks, and re-export them so that I'm able to do multitrack editing, making editing out overtalk a breeze.

The separated files are still in stereo, though, so I pop those back into Switch to squash them into mono AIFF files. These are easier to edit, and take up half as much space. I then put these files onto separate tracks in Garageband and go to town, making what we say clever and insightful.

When I'm done with that, I apply the Levelator to the AIFF. The Levelator's motto should be "Crummy thing go in, pretty thing come out." It doesn't work all the time, but it's better than spending an hour trying to configure a compressor.

The final step comes when I drop the finished file into Switch again, compressing it to a 96kbps mono MP3 file for distribution. This is the best compromise between sound quality and size. It's a quick download, and it doesn't waste all of that time I spent equalizing it to sound good. Switch made this easy to figure out. All I had to do was mess with the encoder options and re-convert until I got something good.

Voila, that's a podcast. Spank it on the bottom, FTP it, and let the world know that it's ready.

There have been other times in my professional and academic career where Switch has bailed me out... For example with how finicky Final Cut Pro is vis-�-vis what kind of audio files it will play nice with.

The moral of the story is this: Even though the aforementioned $1000+ media suites can probably spit out the kinds of files you want, I don't need all of the excess functionality that comes with it. Switch just exists. It's a box on my desktop that takes one thing and makes it into another thing, without complaint.

I don't need a Jaws of Life to open my beer, thanks. Just let me make something and get on with my day. My job is to be funny in front of a microphone, not fiddle with software.

Do More with Audio - Blog Carnival February 7, 2011

Here are this edition's entries to Do More with Audio:

Florine Church presents 20 Incredible TED Talks for Both Music Students and Lovers posted at Bachelor's Degree.

Jennifer Lynch presents 20 Soulful Blogs for Vinyl Fans and Collectors posted at Top Online Colleges.

Bobby Owsinski presents Bobby Owsinski's Big Picture Production Blog: 5 Steps To Prep For Mixing posted at Bobby Owsinski's Big Picture Production Blog.

Jena Ellis presents 11 Greatest TV Theme Songs of All-Time posted at Online Certificate Programs.

Katie Tellefson presents 40 Blogs for the Cajun Enthusiast posted at Accredited MBA, saying, "With Cajun culture and history comes amazing music and even more amazing food. It isn�t every day that you get to nosh on gumbo or dance to the sounds of a fast-paced accordion, but with these Cajun enthusiast blogs, you�ll gain a better understanding of the culture and appreciate its quirks."

Steve Guttenberg presents Does lossless audio guarantee good sound? posted at The Audiophiliac.

Nathan Madsen presents Tips for Creating Audio for the iPhone posted at The Sonic Spread.

You might also be interested in:

• Put a DJ in the house
  
• Solving A Musicians Tuning Stress
  
• Streaming Audio Recorder Saves Time for Radio Producers
  
• MIDI Support Coming to NCH Software
  

That concludes this edition of "Do more with audio." Be sure to Submit your audio article, story or success to the next edition.

Streaming Audio Recorder Saves Time for Radio Producers

Izi Mann has been a radio personality and producer for decades, including work on the NPR show Voice of Israel, he now also produces Internet radio shows.

Using a variety of audio files from different websites is key for an Internet radio show to offer a digest of varied, newsworthy content. When Mann found SoundTap streaming audio recorder, it saved him so much time he was able to do more shows than before while offering much better content.

Mann estimates that he spends at least 30% less time recording audio files with SoundTap than with other comparable programs he has tried. "I use SoundTap to 'catch' audio files from different websites. The software does this so cleanly and smoothly, and without the numerous time consuming requirements that appear in some other programs I have tried. Just one click!"

The challenge Izi Mann faced before finding NCH Software's SoundTap was that many software applications were time consuming and demanding. He was searching for an efficient audio recorder but many of the other programs he tried did not actually work, or asked so many questions before recording the audio he found them impractical for what he wanted to do. "When you have a show to produce, it is important that it�s done perfectly, but also immediately,� Mann said. �Actually, who does have time to waste?"

When his search was coming up dry, he suddenly remembered a colleague from the BBC had introduced him to NCH Software�s Switch Audio Converter software, and how smoothly it converted CD music files to wav files. So he went to NCH looking for an equally capable solution for his audio recording problems. He found that solution in SoundTap Streaming Audio Recorder.

SoundTap saves Internet radio producers like Izi Mann time, creating high quality audio files at the click of a button, and this is just one example of the many uses for this versatile streaming audio recorder. Download SoundTap to capture any audio playing through your computer and convert that audio to mp3 or wav files. You may well find that like Izi Mann, after you have used SoundTap, you'll be willing to recommend it to anyone.

Do More with Audio - Blog Carnival December 6, 2010

Audio is everywhere you look, or listen. Add a little time a dash of creativity and you will be surprised at what you can find out there to listen to. Take for example the discovery that you can get the Google translate tool to sound like a beat box. But be warned playing around with the different language combinations will suck away a chunk of your day before you know what happened.

Here are this edition's entries to Do More with Audio:


Nils J. Sandback presents Piano Humour: A Victor Borge Tribute posted at Piano Street's Classical Piano Blog, saying, "A tribute to the Danish pianist and humorist Victor Borge."

Bart Bryars presents First Time Success Making A Music Video, saying, "This is my first video, and the opening number the musical, Joey, that my wife and I have been working on."

Gregg Fine presents Getting Started in Advertising Music-The Video Reel Pt. 1 posted at Hidden Tiger Music Blog, saying, "This blog focuses on the art and craft of making music for advertising and television commercials. Additional topics include mixing, recording, audio engineering, composing, arranging."

You might also be interested in:

• Boost Audio Quality for Radio and Podcast Production
  
• Make your own haunting halloween soundtrack
  
• More awards for NCH Software including a new award for the audio editing favorite WavePad
  
• Showing that Good Things Do Come in Small Packages since the last edition we announced the WavePad Audio Editing iPhone App, and have had a stellar user review
  

That concludes this edition of "Do more with audio." Be sure to Submit your audio article, story or success to the next edition.

Boost Audio Quality for Radio and Podcast Production

From radio to podcasting, having high quality audio matters. So if you are recording and producing audio content, NCH Software's top audio software duo Wavepad audio editor and Mixpad multitrack recorder and mixer will provide you with the audio tools you need to produce high quality audio to your listeners. Just ask the people behind The Yes Hour Radio Show, a growing radio program that will be increasing their broadcasts in January. As they grow they have been committed to providing the highest quality audio to their listeners, so one of the recent changes they've made was changing their audio editing software and coming to NCH:

"The first thing we've done, which you might have noticed, is to change our editing software. We initially started by using magic studio, which served its purpose for a small production, but as things grew, that is, as we began to develop our content for The Yes Hour and invited guests on the show we decided to try another program called Mixpad and it's editing component Wavepad... These two NCH Software applications have enabled us to do so much, including recording on a multi-track bed, editing telephone interviews, importing new music from local and existing artists."

� Serious Voice of New York, The Yes Hour Radio Show

If you are producing your own radio show, or any other audio project, we hope you too will check out the full range of audio software and software for radio stations we provide to help make you sound your best.